Thursday, December 7, 2017
Wednesday, December 6, 2017
Thursday, November 30, 2017
Wednesday, November 29, 2017
Thursday, November 23, 2017
Wednesday, November 22, 2017
Thursday, November 16, 2017
Wednesday, November 15, 2017
Wednesday, November 1, 2017
Thursday, October 26, 2017
Wednesday, October 25, 2017
Thursday, October 19, 2017
Wednesday, October 18, 2017
Thursday, October 5, 2017
Wednesday, October 4, 2017
Thursday, September 28, 2017
Wednesday, September 27, 2017
Thursday, September 21, 2017
Wednesday, September 20, 2017
Thursday, September 14, 2017
Wednesday, September 13, 2017
Thursday, September 7, 2017
Wednesday, April 5, 2017
Monday, April 3, 2017
Tuesday, March 28, 2017
It's Not Just Pictures
I know it appears that way recently, and it actually illustrates a point I've been wanting to make and which has come up again recently. It seems that people who have what we might consider "traditional" lives (aka working a five-day-a-week job) don't understand that we who have "nontraditional" lives (aka schedule of our own making/non-standard hours) are often just as busy as they are.
There's an assumption that because you can make your own schedule that you have a lot of free time or can really easily reschedule things. The truth is that frequently, because we make our own schedules, we've done a little Tetris to ensure we get the work done so all the hours fit together in a nice neat package. The fact that I'm writing this post right now means that I'm pushing off another task, which will need to be attended to and which may mean that I'm working late.
Let me just outline what's been going on in my life since the beginning of the year. I've taken multiple trips - one family-related, one activism-related, one writing-related, and one hockey-related. While they're definitely not all "work," there's something to be valued in each of them.
I've had three pieces of writing published; my most recent one went live yesterday and was an opportunity netted from an announcement about the other two. (I failed to mention the short story publication here - but you can still check it out). I've also written two new short stories and submitted my short story collection to a number of publishers.
There's also the fact that the art collective of which I'm a part, Shake-n-Make, has two major shows this year; one opening in late August and the other opening in November. Both are labour-intensive, and we've been working on finessing the details of installation as well as material considerations. This requires not only physical labour but meetings and various email communications. All of this takes time.
This is in addition to my teaching, which is considered a full-time load for tenured faculty but not necessarily for sessional/adjuncts, and my volunteer work (delivering library books to those who can't get to the library once a month), which actually requires that I schedule at least an hour with one of my clients.
I know this sounds a tad defensive, and it is. Why lie? But I also think it's important for all of our friends and family to understand that while I may be sitting in my pajamas as I type this (which I am, and it's almost 11am), I've been working for a few hours already, and I've scheduled the work of my day (this blog post, as noted, excluded). Don't let the wardrobe or nontraditional schedule fool you. There's a schedule; there is work.
Okay, I got that off my chest. I feel better now. Back to work.
There's an assumption that because you can make your own schedule that you have a lot of free time or can really easily reschedule things. The truth is that frequently, because we make our own schedules, we've done a little Tetris to ensure we get the work done so all the hours fit together in a nice neat package. The fact that I'm writing this post right now means that I'm pushing off another task, which will need to be attended to and which may mean that I'm working late.
Let me just outline what's been going on in my life since the beginning of the year. I've taken multiple trips - one family-related, one activism-related, one writing-related, and one hockey-related. While they're definitely not all "work," there's something to be valued in each of them.
I've had three pieces of writing published; my most recent one went live yesterday and was an opportunity netted from an announcement about the other two. (I failed to mention the short story publication here - but you can still check it out). I've also written two new short stories and submitted my short story collection to a number of publishers.
There's also the fact that the art collective of which I'm a part, Shake-n-Make, has two major shows this year; one opening in late August and the other opening in November. Both are labour-intensive, and we've been working on finessing the details of installation as well as material considerations. This requires not only physical labour but meetings and various email communications. All of this takes time.
This is in addition to my teaching, which is considered a full-time load for tenured faculty but not necessarily for sessional/adjuncts, and my volunteer work (delivering library books to those who can't get to the library once a month), which actually requires that I schedule at least an hour with one of my clients.
I know this sounds a tad defensive, and it is. Why lie? But I also think it's important for all of our friends and family to understand that while I may be sitting in my pajamas as I type this (which I am, and it's almost 11am), I've been working for a few hours already, and I've scheduled the work of my day (this blog post, as noted, excluded). Don't let the wardrobe or nontraditional schedule fool you. There's a schedule; there is work.
Okay, I got that off my chest. I feel better now. Back to work.
Monday, March 27, 2017
What I'm Wearing to Teach Today: Understated
Dress: Merchant & Mills Trapeze dress sewn by yours truly
Sweater: Silver Leaf Cardi knit by yours truly in Green Mountain Spinnery's Cotton Comfort
Tights: Hue
Boots: Aquaitalia
Sweater: Silver Leaf Cardi knit by yours truly in Green Mountain Spinnery's Cotton Comfort
Tights: Hue
Boots: Aquaitalia
Labels:
Aquaitalia,
fashion,
Green Mountain Spinnery,
Hue,
knitting,
Making,
Merchant & Mills,
sewing,
silver leaf cardi,
teaching
Wednesday, March 22, 2017
Monday, March 20, 2017
Monday, March 13, 2017
Wednesday, March 8, 2017
Monday, March 6, 2017
Wednesday, March 1, 2017
Monday, February 27, 2017
Wednesday, February 15, 2017
Monday, February 13, 2017
Saturday, February 11, 2017
Slow Fashion Publication & Me!
I was fortunate enough to be asked to pitch a story to Less Magazine late last year. I really only had one idea at the time, being a bit busy with two upcoming art shows and a full teaching schedule, and it was one that I'd been thinking about and wanting to write about: how slow fashion has affected the way I source materials for knitting or sewing projects. Luckily, they liked the idea, and the fun began!
It's been awhile since I've written an "article," which I put in quotation marks because it's kind of a personal essay disguised as an article, but I'm into hybridity so it's all good. I also hadn't worked with an editor in awhile, and it took me a minute to realize that there would be multiple drafts with accompanying revision requests. My editor, Sofie, was great and working with her was productive.
I reached out to a few people I knew via Instagram or had met at the Squam Art Workshops retreat I attended last June (and will be at this year again - yay!). Well, I initially put a wholesale call out in a post on Instagram and got a few bites. I ended up soliciting input from three different makers - Tierney Barden, Jess B. Daniels, and Anna Strive (@saint_raven on Instagram) - and am grateful they agreed to share their experiences. Not only did it give me some ideas, but it also let me know that I'm not the only maker who is concerned about these issues.
The magazine decided to make me a highlighted contributor and asked me to make a statement about the issue's theme, globalization. Yes, I, too, was unfamiliar with the term when I first heard it, but I think I understand it now. As they needed a high-quality picture of me (read - not from a cell phone or point-and-shoot digital camera), I only had a few options. I sent them three, and this is the one they chose:
There are a number of things I like about this image, which also cracks me up. Firstly, I'm making a very common face. I think you could find me making this face in a million images that the ladyfriend snaps of me. Also, I'm wearing a skirt I made, a turtleneck from 3 Dots (made in the USA), my beloved chambray shirt from Imogene + Willie (made in the USA), the tights are from Falke (made in Germany), and my Blundstones (no longer. made in Australia - sigh). I am also on the property of a dear friend in the Berkshires.
You can read the magazine here. Not only is my article in it, but it has great fashion spreads and other thought-provoking articles. I think of it like an intellectual fashion magazine. Please show them some love.
Also, here are links to makers, companies, or blogs I referenced in the article: Alabama Chanin; Island Wool Company; Rowan yarns; Fringe Association; Tanis Fiber Arts.
Wednesday, February 1, 2017
Tuesday, January 31, 2017
Marching - On and On
That's my mother and Ian's best friend Sh |
We were a little concerned about crossing the border, having heard about Canadians and other foreign nationals being turned away at the crossing near Montreal, QC; however, we still carry American passports and decided not to pretend we were going somewhere else.
At the border, the conversation went a little bit like this:
Border guard: Where are you headed?
Me: Washington, DC
Border guard: What's there?
Me: My parents live there, and we thought we'd check out the march. (For some reason I thought "checking out a march" sounded reasonable; it was better than "I thought we'd take part in a revolution.")
Border guard asks a few standard questions - are you bringing anything in, and so forth. Then he just looks at us, hands us back our passports, and lets us go. Whew!
I have to say, when we came back to Canada, the Canadian border guard asked us how the march was and whether there'd been any problems. He seemed quite interested, and not in a negative way. Oh, Canada!
The march was fantastic. By all accounts it was one of the largest rally/march in recent history. I've been to a lot of marches in DC, going all the way back to the anti-apartheid marches in the '80s. I went to the anti-Strategic Defense Initiative (aka Star Wars) rally in '84 or '85 (I shared a cab with Amy Carter while in DC - hah!), pro-choice rallies galore, and of course many Amnesty International marches and demos.
Some images from the march -
Crowds at the Metro |
Loved this! |
These two guys were totally out of their element; they couldn't even handle the volume of our rally cries! Wait 'til they experience the full extent of our wrath! |
My dad and my ladyfriend |
Got to meet one of my favourite fashion journalists - Lynn Jaeger! |
The love is big, and the hats match! |
I've been referring back to this post, Twenty Things You Can Do When the World Is Terrifying, regularly. (Think it was Karen who sent me to this post...) I also believe in Craft as Solace, which reminds me of this cross stitch I uploaded here once before -
The ladyfriend and I are committed to being informed and get headlines from The Guardian and The New York Times. I'm also listening to Democracy Now! and the NPR Politics podcast. We've sent money to the ACLU (thank you, thank you, thank you) and will be sending money to Planned Parenthood (also a big thank you to them - I used them for gynecology exams before I had insurance, and they were ones I went to when I needed to find out whether I was pregnant). And of course, we'll be sending postcards, marching, and resisting the normalization of the fascism we're facing.
Stay nasty, my friends!
The boy had to work but went to protests on Inauguration Day. |
Labels:
ACLU,
activism,
Crafting,
family,
knitting,
Lynn Jaeger,
Planned Parenthood,
podcasts,
politics,
Trump
Monday, January 30, 2017
What I'm Wearing to Teach Today: Purple is the New Neutral
Sweater: Owls pattern by Kate Davies, knit by yours truly
Skirt: Brooklyn pattern from Seamwork magazine, made by yours truly
Tights: Hue
Boots: Aquaitalia
Skirt: Brooklyn pattern from Seamwork magazine, made by yours truly
Tights: Hue
Boots: Aquaitalia
Labels:
Aquaitalia,
fashion,
Hue,
Kate Davies,
knitting,
Seamwork,
sewing,
slow fashion,
teaching
Wednesday, January 25, 2017
Monday, January 23, 2017
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